Monday, 26 August 2013

The Gathering article - August 2013


 
Family history research can be a very consuming interest and anyone with an obsessive amateur genealogist like me in the family will bear testimony to the hours that can be spent plotting the tree online or occasionally doing very odd and to all others, irritating things, like suddenly reversing the car down a lane in the middle of the family holiday in rural Ireland declaring with great excitement “Look everyone! A graveyard!”

For the most part, and I am certain that this will apply to many readers of The Harp, the majority of the ancestors whose names and occupations we painstakingly discover will be ordinary working class people living in very basic conditions either in the famine beset countryside of mid-19th century Ireland, or in the tenement and back-to-back poverty of industrialising cities like Dublin, Birmingham, Belfast and Liverpool.

Identifying the microcosmic part played by your very own ancestors in the rich history of working class life, discovering your very own Black Country nail maker, Wexford farmer or poor migrant family taking steerage from Cork to New York as part of the great Irish diaspora is always rewarding. Even so, as the family tree becomes increasingly populated by a growing list of labourers named Patrick and Michael, or their Brummie counterparts William and Frederick, with an equally sized list of wives named Bridget and Mary, Phoebe and Hilda, discerning the individual human stories behind the names on a census index or a ship’s manifest can seem an impossible task.

Occasionally there are gems to be found, especially through the oral transmission of family stories and also those spine-tingling coincidences which come completely out-of-the-blue to suggest synchronicity between past and present or highlighting a unique family trait that appears to have skipped generations. Twilight zone incidences of nature over nurture.

Viewers of the BBC television series Who do you think you are? may have been struck by just how common it is for people to discover for the first time a long forgotten ancestor who lived a parallel life to their own. A comedian or variety performer discovering that great-great-grandfather was also a black sheep of the family who rejected the family business or jumped naval service in order to play musical hall dame at Blackpool Winter Gardens. The modern sports personality finding that g-g-g-granny was the first female to swim back-stroke across the channel. I’m using poetic license here and could go on, but I’m sure the reader will be familiar with the scenario.

One such strange coincidence happened in my own research only relatively recently. Having worked for disability rights based organisations in the West Midlands since 1990 and prior to that being a nurse at Moseley Hall Hospital working with disabled people, I have for a long time been interested in the history of disability and in 2010 even wrote a book about the history of Birmingham’s Disability Resource Centre, published with support from the Heritage Lottery Fund. In recent years I have also been a member of the London based steering group organising UK Disability History Month. 

During all this time I had no idea that one of my own ancestors, John McDonnell of Bolton Street, Dublin was a blind man who co-founded an organisation called the League of the Blind Great Britain and Ireland and was chair of its Dublin branch for over a decade during the early 1900s.

The discovery came about when I made contact with cousins of my mother, the Whelan family of Dublin. Connections with my grandmother’s side of the family had diminished over many decades, largely because my grandparents had seemingly eloped to Birmingham in the late 1930s. As sadly happens in these situations, my great grandfather’s singular disapproval of his daughter’s chosen partner was translated into a wider sense of rejection which became over accentuated through subsequent generations. To an obsessed genealogist, making contact with a very large section of my mother’s family whom I had never spoken to, met or written to (and didn’t even know the names of many of them) was as close to anorak heaven as its possible to experience. Long lost relations, who had been made distant not just by the great stretch of land and sea between Birmingham and Dublin, but by the fall-out from a specific father-daughter bust-up of some 80 years ago, I am pleased to say are now Facebook friends and regular email pals.

My consequent research into the life and times of John McDonnell has been a complete revelation. Growing up in 19th century blind institutions around Dublin, he learnt the skill of basket weaving and became a wealthy entrepreneur, running his own basket making factory in north Dublin and then becoming involved in running the said League of the Blind, a radical disability organisation even by today’s standards who rejected charity and instead became aligned to the trade union movement, campaigning for fair pay for blind and deaf workers. If readers of The Harp will allow me the indulgence I would like to tell more of John McDonnell’s story in a future article.

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The Gathering article - June 2013


 
In my last article in The Harp I pondered on the importance of the spoken word in passing down community and family history. When I started researching my own family history back in the early 1990s, both the English and Irish roots of our tree, I was most definitely inspired by my Aunty Kath.   

Kath Robinson and her husband Harry were two of life’s truly decent, salt-of-the-earth working class people – proud hardworking Brummies who had both grown up in the cobbled inner city streets of Ladywood, romancing and courting through the uncertain Blitz years of the 1940s and marrying at St Peter’s RC church near Broad Street in 1942. True and lasting love not only blossomed for K and H, but the happiest days of their lives were fulfilled in spite of the constant threat of Herr Hitler’s bombs, raining down on the factories and streets of Britain’s industrial heartland.
 
Kath was my dad’s second oldest sister. She was born in the far away city of Ahmedabad in the northern Indian region of Gujarat in 1922, when my grandfather William was a young soldier in the Worcestershire Regiment. In those days a long-term posting to the other side of the world meant that young British privates were unlikely to come home for years as opposed to months, so their wives were given the unique opportunity of following on to join them in India. To my grandmother Florence, this was a chance in a lifetime for a young working class woman from the back-streets of Birmingham.
 
The couple were Catholics, both having Irish roots, so their baby daughter Kathleen was baptised at the church of Our Lady of Carmel in Ahmedabad. My grandparent’s address was recorded simply as ‘camp’. The sights and sounds of 1920s India stayed with my grandmother all of her life and I remember when I was a child listening to her Kippling-esque tales of long-ago India. The images of elephants, monkeys and mamsaabs that she conjured up have stayed with me all of my life. If Aunty Kath had also inherited the story telling gene from her mother Florence, then in turn Florence it seems had inherited it from her own mother, Mary Finn, the daughter of Irish immigrants whose families had fled from Galway in the post-famine decade of the 1850s.
 
Whilst my Aunty Kath never had the opportunity to visit Ireland in her own life, she had inherited a profound dedication to the Catholic tradition and the Irish culture of previous generations. Through the stories that had been passed down to her by her mother and grandmother she was able to paint a rich picture of the Irish community in inner city Birmingham in the late 1800s and early 1900s. She recalled to me that some members of the Finn dynasty of old Newtown and Hockley had left Birmingham to live in Cleveland, Ohio and in her top drawer she kept a very old and cherished photograph of a nun, whom she had never met but believed to be an American relative of the family.
 
Following my Aunty Kath’s death in 2000, I decided to see if I could trace our family nun and try to discover the story of the people who left Birmingham for Ohio in the early 1900s. My research eventually led to a family of sisters from the Finn line of my grandmother’s ancestors, with married names including Robinson, McKiernan, Ratchford and Duffey, who migrated to Cleveland together in Edwardian times.
 
The research even identified the nun, Sister Marie Nativa McKiernan. Sister Joanne of the Sisters of the Humility of Mary in Cleveland, Ohio emailed:   
 
“Yes, the photo very much resembles Sr. Marie Nativa McKiernan whom I recall in her elder years. Since the habit is definitely that of the Sisters of the Humility of Mary, I would be 99.9% certain that this is Sr. Marie Nativa. She was born in 1906 in Birmingham, England to Thomas McKiernan [born in Ireland ] and Anna Finn McKiernan [born in England ]. Her baptism was at St. Chad Cathedral in Birmingham on November 18, 1906. She entered this religious congregation on January 23, 1925 from St. Edward Church in Cleveland, Ohio.”
 
It is quite incredible to have traced Sister Marie Nativa on the basis of just an old photograph and a family story and I am only sad that my Aunty Kath was no longer alive to hear the results of my research. Whether this little miracle is down to the power of the internet or, I’d like to think, some higher force at work, it does go to show the importance of keeping stories alive from one generation to another and my message to old and young Harp readers alike is, get talking to each other, put pen to paper and fingers to keyboard and …write your history down!    

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The Gathering article - May 2013


In the days before television, video and computer technology, the arts of conversation and story-telling were of much greater value to working class people in Britain and Ireland than they are today. Of course, other forms of mass communication were obviously around before the IT boom of the last two decades of the 1900s; live theatre dates back for centuries; books and newspapers have also been available for a long time - although the mass of common people were not literate until the start of the 20th century; early cinema developed from the 1920s and similarly radio became a popular form of media in the 1930s and 1940s. But prior to these important developments, most working class people used story-telling and the oral tradition as the main means through which to pass on local and family history, customs and culture to future generations.

The recording of oral history in Britain was made popular by George Ewart Evans in a series of books published between 1956 and 1987. Evans’s first book was called Ask the Fellows Who Cut the Hay which centred on the memories of people born in the Suffolk village of Blaxhall in the last part of the 19th century. Evans showed that personal memories and testimonies should be treated just as seriously by historians as other types of evidence. In 1976 Melvyn Bragg produced a community history of his Cumbrian birthplace called Speak for England and from the mid-1980s Brummie historian Carl Chinn has continued the oral approach through a series of books about the history of the urban West Midlands.

In rural Ireland, the tradition of oral history has always been particularly prevalent and powerful, possibly because formal education and the means to literacy were denied to the Catholic majority of the country for very long periods, but also due to the well-established Bardic traditions of poetry and tale telling. The transmission of wisdom, legend and folk-lore through story was known as glefisa or ‘the bright knowledge’. Researchers John and Caitlin Matthews, internationally renowned writers on the Celtic Tradition describe how “the importance of story to the Celts can scarcely be overestimated. Story was literally the stuff of life, providing information and wisdom as well as entertainment for the long dark nights, in ways that would otherwise have been lost forever”.

Even today the tradition of the seanchai or local rural storyteller is alive in many parts of Ireland. For example there is a gentleman who lives near the town of Moate in Westmeath named James J Hackett who is renowned as the local Culchie King - a story teller, poet, philosopher and self-educated man – the son of a saddler who rides around the country lanes on his push bike sporting Wellington boots and a donkey jacket – unlikely garb for a man who recites Yeats and Shakespeare with the fluency of a seasoned thespian whilst also being a primary authority on local folk-lore and community history.

My wife Theresa and I first became acquainted with James in the early 1990s whilst visiting her mother Kitty Dwyer at Tubber, a tiny village on the Clara Road out of Moate. One memorable Christmas Eve we drank bountiful pints of the ‘nut-brown liquid’ with James and his neighbours until the early hours of Christmas Day, as he entertained and enthralled the packed bar of the Cat and Bagpipes with tales of local saints and of the Viking raiders who sailed up the Shannon to plunder the early monastic community of Clonmacnoise (35 times between 834 and 1163), which lies some 10 miles to the south west of Moate.

A favoured local tale told by James J Hackett is that of a wake held by a local man from Ballydrown for his greyhound in 1905. As a final farewell to his noble canine companion, the gentleman placed his dead dog in a scoured out pigs trough placed in the centre of his kitchen floor. He then invited all of his friends from the Tubber hunters who between them brought 22 hunting dogs to the wake. The craic was great that night in Ballydrown and according to James J the assembled dogs began to moan and howl in the early hours of the morning and the sound was heard for miles around. In his book Days Gone By, James J Hackett writes ‘And now dear readers you may think that the story of the Dog in Ballydrown is a fable, no, that is not so. Another elderly man named Joe, who died in the 1980s aged 93 told me the story’.

In Britain we are only beginning to wake up to the importance of keeping the art of story alive. Not just story in the sense of publishing great or acclaimed works of literature, but story in terms of recording and passing on memories and anecdotes connected to simple human experience. In setting out on making a study of my own family roots, starting from the present day family based largely in Birmingham in England, my starting point was to begin recording the wealth of knowledge and family story available from my older relatives. Instead of switching-off with raised eyebrows every time an elderly aunt or uncle began to ramble down memory lane, instead I reached for a biro and notepad and began to scribble down names and dates in my own form of shorthand - notes that would later act as memory aides when it came to the process of making chronological sense of this mine of personal anecdote.


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The Gathering article April 2013 edition


 
One chilly evening last month I braved the freezing cold conditions to venture out from our warm homestead in Quinton in search of the fabled Kitchen Garden CafĂ©, an intimate and charming entertainment venue in York Road, Kings Heath. The recommendation came from a longstanding friend, Paul Murphy, well known musician and writer (amongst his many other talents) who is well acquainted with my personal interest in all-things Irish and suggested that I may therefore find the evening’s performances worth checking out.

As always Paul’s recommendation was a good one as the main entertainer that evening was Rich McMahon performing his show ‘The Imagined Nation: Inventing Ireland Through Words, Images and Songs'. Born in Coventry but raised and educated in Ireland, Rich’s show very much reflects the issues of Anglo-Irish identity which many of us in the West Midlands can relate to. Rich McMahon is a witty, accomplished and engaging entertainer but also a very insightful thinker and writer whose show captures many pertinent themes affecting those of us who  would (in the words of W.B. Yeats and Tim Pat Coogan) “wear green” but don’t always feel fully convinced as to why it is relevant or important to do so.

Watching Rich McMahon’s show was particularly timely, coinciding with the well-publicised Year of The Gathering, with my personal exploration of Irish roots through these articles in The Harp and taking place one week before St Patrick’s Day. Clearly a marketing genius. What I liked about his show was that he didn’t set out to give us any definitive answers or to wrestle down, kicking and screaming, the meaning of Irishness - especially for those of us of the oft maligned second, third and even fourth generations. Those whom even the Census designers still haven’t quite fathomed out where to place, how to describe or whether it even matters.

One of the themes which Rich explored, and from different viewpoints I should add, was the term (or even the concept) of the poor old Plastic Paddy. It’s a term I came across a couple of decades ago now, originally coined I believe by the Irish media to caricature the distant descendants of Irish migrants who are, shall we say, prone to over exuberant acting-out of certain stereotypes.

Whilst acknowledging where the critique is coming from and also recognising the behaviours it might be aimed at, as someone with a love, pride and if nothing else an interest in my own Irish heritage, I don’t always feel it’s a useful or constructive generalisation. So it was very interesting to hear Rich McMahon taking this one on and throwing out some challenges to our own perceptions.   

Just on the ‘Plastic Paddy’ issue, I recently had an email communication with someone in Ireland around family history information and he wrote to me “I’ve never spoken to a Plastic Paddy before” which was a slightly unexpected comment to say the least though I decided to reply with the same humour which I hoped had been intended and replied “I was so shocked by your inference that I was a Plastic Paddy that I spilt my Guinness all over my Pogues t-shirt”. Unfortunately he did not respond specifically to this clever and ironic retort of mine (well I thought so anyway), so I was left pondering its intention though my lesson being, if in doubt then broad shoulders, a sense of humour and a general resolve to be happy with one’s own greenness, whatever the shade, is probably the best way forward.

A few days after the Rich McMahon show in Kings Heath I had the pleasure to meet him again when Paul Murphy and I went along to a St Patrick’s Day celebration at Amesbury Road Day Centre for people with learning disability in Moseley. The event was organised by social worker Mick Lynch and both Paul and Rich provided songs and music a-plenty to entertain the service users and staff. In this sort of situation the stereotypes go completely out of the window and we get on with enjoying great music and that other thing Irish people of any generation generate so well, the craic!

What do you think Irishness means to people in the West Midlands? Tell us your story in The Harp.

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September 2013 article in The Harp



The river dancing scarecrows of County Laois


Gathering Your Stories Through The Harp

Pete Millington has launched a new family and community history feature in The Harp with an invitation to get involved online

Having written these articles around the theme of The Gathering since January, my credibility may have been at risk had I not actually visited the Emerald Isle during this apparently momentous year. Fortunately my wife Theresa and I don’t need the impetus of an international publicity campaign to draw us back to the glowing turf-loaded hearth on a regular basis as her mother Kitty lives out in the beautiful bog-land between Moate and Tullamore. We have therefore been able to enrich the lives of our three children for the past 16 years with almost annual visits to visit Granny, whilst enjoying the proverbial childhood Irish holiday experience at the same time. Gathering or no Gathering, this year was no exception.         

I was however intrigued to observe the impact of the great call from the motherland to her far-away children of the diaspora on Ireland itself and if there was going to be a good time to do this, then the August bank holiday just had to be that moment.

From the outset, there was nothing remarkably different this summer about the late Sunday afternoon procession from the ferry through the proverbial dirty old town landscape of Dublin port, the routine ‘dad gets completely lost in North Dublin’ before driving straight into the homeward bound GAA football crowd, followed eventually by the frantic search for Euros to resentfully appease the motorway toll ladies and the liberating stretch of virtually clear road in the general direction of Galway.

It is this last point which continues to cheerfully epitomise our Irish holidays, the comparatively empty stretch of road cut adeptly across the great Bog of Allen, taking us quickly and unhindered by snarl-ups, shunts or gridlocks, towards that other place called home. A non-Irish relation in Birmingham recently offered me his opinion of the Irish Midlands, pronouncing it to be devoid of interest to the visitor “there’s nothing there for bloody miles” he groaned at the memory of his reluctant visit some thirty years ago. I recall thinking to myself that, ironically, his reasons for abhorring the place were exactly the same as mine are for loving it; peace, tranquillity and unpretentious people at one with their environment and getting on with it with one hard-headed eye on the seasons and a friendly twinkle in the other.

Apart from the odd mention on local radio, between ‘the removals’ and the laid back call-in shows, there was very little mention of The Gathering. In fact during two weeks, the closest we came to anyone celebrating the Irish tourist board’s show of the Millennium was a field filled with some 200 scarecrows down at the infamous Durrow Scarecrow Festival. But somehow the fact that our only experience of anything approaching a significant gathering was that of a couple of hundred straw people, seemed strangely reassuring rather than disappointing. This was the Ireland we love, largely unspoilt by camera clicking tourists (myself excepted) and unappreciative strangers even in the year of The Gathering.

Aston Villa take on Shamrock Rovers - craic rather than classic 
 
The midway mark of our fortnight was marked by a drive to Tallaght stadium on the outskirts of Dublin to watch our beloved Aston Villa do battle with the boys in green, Shamrock Rovers. Again, an interesting experience, our first impression being that the whole of Tallaght had been taken over by Brummies in claret and blue soccer shirts. On closer examination it seemed that the hordes of Villa fans were mainly locals, or Irish Lions. I knew that Villa had a big following in Ireland, a legacy of the club’s more than significant contribution to the Ireland team over past decades no doubt, but hadn’t appreciated the true extent of that following. We even spotted the Villa legend Paul McGrath sat in what clearly passed as the Tallaght VIP area, an area of plastic seats at the top of one stand cordoned off with rope.

My advice to the Irish government wishing to boost the economy on this basis in the future, might be to follow-up the initiative of The Gathering with more pre-season visits of Premiership football teams.

Incidentally, to appease the GAA devotees, another memorable event of our Irish holiday was watching a live Gaelic footie match between local teams Tubber and Tullamore. Apart from the fact Theresa’s cousin’s son, the awesome Brian Kelly was playing for Tubber, the entire spectacle was a revelation. Having only ever half-committedly watched the game on television, I can hand-on-heart state it is one of the most exciting and passionate sports I have ever seen and the whole Millington family are now converts.

Our second week was spent in a delightful cottage on the tranquil Temple House estate in Sligo. Once again, far-from-the madding crowds of The Gathering, wherever it was taking place! A personal pilgrimage for me was therefore to drive off one evening in search of the mythical grave of the great poet W.B.Yeats. I’m not sure what I was expecting to find, a thriving town full of American and Japanese tourists on the scale of Stratford-upon-Avon? One-Euro only nicknack shops packed full of Crazy Jane tea towels and Leda and the Swan mouse mats? Or perhaps an impromptu and lively graveside jam session featuring The Cranberries, Sinead O’Connor and The Waterboys?

Yeat's grave in the tranquil shadow of Benbulben - my solitary gathering in the
company of the bones of Ireland's greatest poet

In the event, apart from a suspiciously hippy-looking camper van on the church car park, to my continuing relief I found myself in the solitary company of the bones of the great man, lots of birds and trees and the dusk-cloaked silhouette of the distant Benbulben mountain. Ahh! My kind of gathering.

Perhaps the words on the grave of the poet have a wider poignancy in this notable year of The Gathering, “Cast a cold Eye on Life, on Death. Horseman pass by”.    

What do you think Irishness means to people in the West Midlands? Tell us your story in The Harp.

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